The bhagavata (10th canto) dwells in a rapture of tenderness upon the God-babe, and upon the wanton play of the lovely child who is delightful in his naughtiness and marvellous in his occasional displays of superhuman power; it figures him as an ideal of boyish beauty, decked with jewels and crested with peacock's feathers, wandering through the flowering forests of Vraja, dancing and playing on his flute melodies that fill the souls of all that hear them with an irresistible passion of love and delight; it revels in tales of how the precocious boy made wanton sport with the herdswomen of Vraja, and how the magic of his fluting drew them to the dance in which they were united to him in a rapture of love.